Announcing the Centerpiece Show of the 2010 Festival

We're Thrilled to Announce the Centerpiece Show of the 2010 Live Arts Festival...
DANCE
by Lucinda Childs, Philip Glass, and Sol LeWitt

DANCE by Lucinda Childs
Photo by Sally Cohn


"DANCE offers liberation through confinement, infinite variation through sameness; it conveys the elemental desire to move to music, to dance" - The New York Times

Lucinda Childs will bring her rarely performed signature work DANCE to the 2010 Philadelphia Live Arts Festival this September. In this seminal collaboration featuring music by Philip Glass, dancers seamlessly interact with a film by Sol LeWitt to create a powerful retrospective of the human form in motion and an exploration of musical movement, rhythm, and harmony.

CLICK HERE for a clip of a recent production of DANCE at The Joyce Theater.

Performances will be held at the Kimmel Center's Perelman Theatre.
Tickets and a full schedule will be available at www.livearts-fringe.org beginning in May.

The presentation of Lucinda Childs' DANCE in the 2010 Philadelphia Live Arts Festival is supported by The Pew Center for Arts & Heritage through Dance Advance.
Dance Advance

The Philly Fringe "New Artist Workshop"

Are you an artist considering a show for the Philly Fringe this year, but are new to the Festival and unsure if you can?

Come meet the Fringe staff and have all your questions answered at the New Artist Workshop. We positioned this workshop before the participation deadline, giving you three whole weeks to decide!

Tuesday, March 16th, 2010 @ 6:00 PM
The Live Arts Festival & Philly Fringe Administrative Offices
919 N 5th Street, Philadelphia, PA 19123


Pizza & refreshments served.
Please RSVP to John: john@livearts-fringe.org

"Feastival" in February's Philadelphia Magazine!

Looks like Philadelphia Magazine is on to us.


Open this month's issue to Brooke De La Villanova's High Society column in the "Pulse" section, and here's what you'll find:

High Society: February 2010

By Brooke De la Villanova

How I love artsy people! Restaurant glamour-puss Audrey Claire threw a launch party that drew power couple Sharon Pinkenson and Joe Weiss, legal eagle Bernie Munley, entrepreneur David Grasso, Memphis Flats developer Greg Hill, Fringe-y Nick Stuccio, and Stephen Starr, among others. Being launched: Feastival, which despite its Seinfeldian name promises to be delish. On September 15th, 25 top chefs will whip up edgy fare in Northern Liberties to raise money for the edgy Live Arts and Philly Fringe festivals. Bon appetit, munchkins. ....


"High Society", indeed. For more info on this star-studded evening, Click Here!

What the Philly Metro doesn't know (yet!)

From Philly Metro, Thursday, January 28, 2010:

"Reasons it was fun to live, work, and play in Philly
Why have we all had such a good time in Philly over the past decade? Here's just 10 of the reasons for it

#1 Tables turned: Thanks to powerhouses such as Stephen Starr; Marc Vetri; Jose Garces and Michael Solomonov, not even New York can pretend we don't have a dining scene to reckon with these days.
...
#3 Philadelphia Live Arts/Philly Fringe festival: This gigantic gathering of local, international, amateur and professional artists has been kicking since 1997, but it gets a little bigger, a little weirder, and a little more can't-miss every year."

But here's what the Metro doesn't know (yet!): Those powerhouse restaurateurs are in partnership with this year's festival, to bring you Feastival.
For more info on what will be the #1 reason it's fun to live, work, and play in Philly in 2010, CLICK HERE

Now! Calling All Artists to Participate in the 2010 Philly Fringe!

It's that time of year again! You can now access the 2010 Fringe Artist Participation form by clicking HERE!

Participate in the 2010 Philly Fringe!
The 2010 Call For Artists begins January 25 and ends April 2.


Are you an performing artist with an "anything goes" ethos and an "I'll just do it myself" attitude? Join the Fringe, and bring your vision to an audience free from all curatorial barriers.

Be one of the 200+ acts that turns our city into a performing arts Mecca and gives Philadelphia a creative blast of energy every year.

16 days of theater • dance • comedy • musicals • circus arts • visual arts • poetry • opera • puppetry • storytelling • rock n roll

Performed all across the city at art galleries • theaters • basements • churches • rock clubs • abandoned lots • row homes • flatbed trucks • storefronts • sidewalks • parks • bars • graveyards • museums • underpasses • parking lots • cafes • train stations • night clubs • swimming pools • buses • rooftops • benches • booths • boats • driveways • cars • tennis courts • grass-fields • places you didn't know existed.

The Philly Fringe wants you! Join the ranks of the risk-taking artists who have made the Festival a Philadelphia tradition since 1997.

Come One, Come All

For Questions, please contact john@livearts-fringe.org

To register: Click Here!

Deadline for participation: April 2, 2010

Friday Dance Showcase! Q&A with Festival Photog Bill Hebert

The 2009 Philadelphia Live Arts Festival and Philly Fringe may be over (booooooo) but the work of Fringe-y people continues (yay!). You may recognize the name Bill Hebert from the bylines on some of our blog stories. Bill shoots photos of Live Arts and Philly Fringe shows, and a bunch of his pictures (including the shots from Postcards from the Woods below) have appeared in this space. He's also producing a post-Festival dance showcase, his first, this Friday, September 25. I emailed Bill some questions about shooting for the Festival (some of his favorite picks/pics are interspersed below) and his plans for the showcase.

When did you first start taking pictures for the Festival?
I officially started taking pics for the Live Arts portion of the Festival last year but have been around the Fringe for at least four or five years, and I've been shooting dance overall for six years now. Currently I am one of the photographers capturing touring companies as part of the Dance Celebration series at the University of Pennsylvania and will be the photographer for the By Local series also at the Annenberg Center.

What have been some of your favorite shows to shoot?
Hmmm&mdash hard question number one. Definitely SCRAP during this year's festival. I've known Madison Cario and Myra Bazell—the creative geniuses behind SCRAP for almost as long as I've been shooting. You can find some of the most beautiful movement in smallest gestures of their pieces.

How did you become interested in dance?
Supporting a dancer friend in a local hip hop dance company at the time, Montazh, which I guess plays a big part of how I approach what I do. I stink at the business side of my photography and struggle with that end of things because I love this community so much. I try to be an affordable resource to help them convey their message, their art, while still trying to make a living with my photography and fund the upkeep of my equipment. I love photographing movement in general from Modern to Ballet to Hip Hop. I try to capture the essence of the moment or should say the movement.

Who are some of your favorite choreographers in Philadelphia?
Feels like hard hitting question number two has arrived. I honestly hate to choose a specific person's choreography, which is why shooting The A.W.A.R.D. Show! has been so difficult. I would want all of them to win money to fund their vision. Every artist deserves an opportunity to be heard.

If I was pressed to choose one company or choreographer it would be Winged Woman Dance Company and choreographer Tina Heuges Bracciale. Tina will be presenting a duet during my showcase which will appear as part of a larger work titled Residue to be presented in February of next year as part of the "By Local" series at the Annenberg Center. Tina's movement comes from her heart and soul and is beautiful to witness. I was lucky to document the initial incarnation of Residue from the beginning of the rehearsal process to the stage, which was one of the most incredible experiences I've had as a photographer and a fan of dance. Such an intimate look into the process was an unforgettable and special experience. Plus her dancers are so dedicated to the movement and her vision that they truly give all of themselves in the performance. I am honored to preview her work in my showcase.

Why did you decided to produce a choreography showcase?
I love what other showcases around the city have done such as the Etc. series, InHale which is at the same location as my showcase [the CHI Movement Arts Center], the Koresh Showcase, Mascher Space Co-Op, Studio 34 series and the series curated by Silvana Cardell. They give artists a chance to introduce themselves to the community, preview new work or develop works-in-progress. They give artists a chance to be heard and seen. I wanted to help support the dance community I love further and present some folks whose careers as dancers/choreographes I have been following and who I support. It's also a chance to showcase my photography in some way shape or form.

Tell me about the process of moving from observer to producer? What are some new challenges you faced? The process is not easy. It's one challenge to capture work but to present it is a whole different story. There are schedules to work out of the performers to tech their work, insurance to purchase for the show, figuring out how to market the show and getting folks in the seats and also trying to work on something to showcase my photography.

Who's going to be a part of the show? Presenting work will be Tina Heuges and her Winged Woman Dance Company; three members of Pink Hair Affair (Kaleigh Jones, Ashley Wood and Annie Wilson); Kelly Adorno a recent graduate of Temple University's dance program: and Sinead O'Neill, a talented senior at the University of the Arts. All proceeds from the event will go to the artists, so I hope people will come support them.

The showcase will be held Friday, September 25, at the CHI Movement Arts Center, 1316 S. 9th St., Philadelphia. Tickets are $10 suggested donation or pay-what-you-can, and are available at the door. Performances start at 7:30 pm.

--Nicholas Gilewicz

Photos by Bill Hebert.

Tonight: Rock Rock Festival Bar Rock

It's been a crazy couple of weeks, hasn't it? But tonight: blowout. When was the last time you were out until 5 am? It doesn't matter, because the party tonight at the Festival Bar is likely to blast the last time out of your memory. I don't really know what else to say, except that everyone will be there. Really! Most shows are wrapped (although I'll have a few more blog stories for you tomorrow or Monday), and it is time to burn off that excess performance/attendance energy. By dancing until 5. At 6, the bar turns back into a warehouse. Sad! But you will be happy. Promise.

--Nicholas Gilewicz

Tonight: Can You Roll With Me?

Unless you already got the tickets, we'll have to hook up late, because a couple of these guys are sold out. I'm not sure I can top the back to back small metal objects to Mortal Engine extravaganza of yesterday, but hey, let's give it a try. A future pluperfect look back at the night to come:

>>>Sometime between 2:00 and 4:00 am, I will have successfully made it back home, after . . .

>>>The penultimate night at the Festival Bar. We will have gossiped about controversies, shared our joys and sorrows from the past two weeks, chattered about who's mean and who's great and why, and we Twitterati will have celebrated our transition from #LiveArtsFringe to #PHLArts to keep the arts talk going. All the while, we will have been dancing to the Broadzilla DJs, who will have held it down all night on ye olde ones and twos. Odds are, we will have thrown back many drinks (as we will have tomorrow night when we will have partied 'til 5:00 am to close things out no kidding no kidding!). But I will not have arrived until about midnight, because . . .

>>>I will have just seen the last performance of FATEBOOK. Despite writing this blog, I will have avoided much of the press and word-of-mouth about this show, so I will have walked through the door with my eyes clear and open. I will have been out of breath, because I will have just ran the quarter-mile up North 5th Street from . . .

>>>Welcome to Yuba City. I will have not seen the show until tonight, although I have seen the set at different points, watched some rehearsal, and talked to the Pig Iron folks about their various and sundry projects. This will have been only the second show I've seen tonight, because . . .

>>>I will have had to kick things off at 7:00 pm with 13 Most Beautiful . . . Songs for Andy Warhol's Screen Tests. I've been excited about this show ever since I talked to Dean Wareham about it what seems like forever ago, and I will have enjoyed it very much, I believe.

See you tonight somewhere, right? Right. And afterwards, for real, don't forget to get a good night's sleep because tomorrow we're partying like we're in Spain, but with better music.

--Nicholas Gilewicz

Volunteer Spotlight: Jen Cleary and Omar Telan (and You!)

Hey volunteers! The Festival isn't over, and we still need your help! Below, you can learn more about the pretty awesome (and, perhaps, pretty strange) people you'll work with as you help us end the Festival with a bang. Find out what shifts are available (and what kind of vouchers or swag you can get)—email volunteers[at]livearts-fringe[dot]org or call 215-413-1270.

You'll get to wrok with Jen Cleary and Omar Telan, who are not your typical volunteers. While they look to be in their mere twenties, apparently they are well over 100 years old. Volunteering since 1908, "during the construction of the Great Fourth Wall," they share a unique style and commitment to the Philadelphia Live Arts Festival & Philly Fringe, also known as "The Great Work." Jen is also a wondrous photographer, as evidenced by the pics above!


What has been your favorite show in the Festival?
How can we pick a favorite from the Great Work? If we must, we suppose our mutual favorite is a Hard-Boiled Wanderland as performed by a lovely dancer named Alice-Nichole and her expert team of movement specialists.

What volunteer roles have you taken on?
We have watched and waited for tongues of fire to appear only to be disappointed. We have provided guidance to those who lack the vision to find proper resting spots. We have parceled and torn asunder small pieces of paper that our society has granted monetary value. We have approached strangers and bequeathed booklets describing the Great Work. We have bore witness to a modern day Gutenberg machine which manufactures resilient placards.

What has been your most "Fringe" moment?
We once saw a woman perform a great injustice upon herself using an empty bottle and a toy train. It was horrifying. If our constitution were any less firm, we surely would have lost our sanity as if peering into the incomprehensible city of R'lyeh.

What do you do with your time when you aren't "Fringe-ing"?
Jen: In the City of Brotherly Love, I capture light with a fantastical machine. In the City of Angels, I project light from modernized torches of Prometheus. In other regions, I leave my domicile and become an adventurer.

Omar: For money, I resolve technology-related crisis for a French owned chemical company. For my sanity, I write and perform artistic endeavors of a performative nature.

--Karina Kacala

Photographs by Jen Cleary.

Tonight (for me): Teenager: Anne Frank

Oof, late posting today. If you read this blog earlier, I hope you paid attention to the date on the post, as the more. dance party was last night.

Tonight, I'm headed to the rooftop of the Parkway House, an apartment building at the intersection of 22nd Street and Franklin Parkway, for Teenager: Anne Frank.

Ever since we published a story about the show back in July, I've been excited to go to what I think will be one of the coolest Fringe venues. The view of the skyline in the promo art from the show? That's the backdrop for the performance, and I don't think I could ask for better weather for a touch of outdoor theater. Tix are still available if you want to join me! (And it also runs every night at 8:00 pm through Sunday night.)

--Nicholas Gileiwcz

Photo Credit: Linda Schirona & Hannes Richert

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